17iBxT1kvc59XTG1cTw4Tshu4XWh5wL2wi0a015WcdWwYqGyRGdp3BmWc7rEyADG1h8UQot
|
Selamat datang dan Selamat Bergabung untuk warga +62 ... Disinlah tempat anda posting, sharing, dan berkreasi.
Kita sapa dulu rekan-rekan lain dari +62 dan Ucapakan selamat datang untuk yang baru bergabung...
Pahami dan pelajari cara berinteraksi. Silahkan komunikasikan dengan rekan dari +62 jika ada sesuatu yang tidak di mengerti. Kami siap membantu anda. Jangan lupa untuk posting dan buat lah konten semenarik mungkin. Selamat berkarya. https://chat.whatsapp.com/L4LgVns1RLnJrnODHBICPN
Dan ini daftar rekan +62 yang aktif, silahkan berkomunikasi : @gembelzberkarya @acoy @nukeerfiana @siscalicious @bangizal11 @jullie @sitikhadijah @prastawaaujunior @denysapoetraeday @bobbyalexa @bangbtc @wane18 @lisanovich @nurwahid41 @heruawan @suryaranggakusumah @yogyog g/indonesia g/indonesianewsupdate @jihanarsya @intanfithria @acinygy @parmiati @taufikkurniawan @arifbudiaji @gaungroso @trichasanah @jullie @liongbulan @hangjebat @junaedigrabid @cakrawala @ninaninaanwary @alkahfi @sovja @farhansubagio @edtrzxx @julierian @youdeegx @vio132 @ayikurnia @idharhusin388 @yusufmutiat @muhammadkaliha @fauziramdani @muhammadabdullaharif @jullie @intanfithria @renosaputra @derisamisnauli @91masryan @galihsatriabuana @rizkymaulana @hanifnaufal27 @thalib @mutren @maulyfachrurazi @mohenzo @orangindo @santidwisusanti @anirpratama @azzawawi69 @abdilah @quotes1 @emansueman @abialim @adamasdinara @man3ang3n @adhenlandscape @irawatiirawati @lucasflowers @whisnuireng @erwinrzld @cakilbutovski @maryatislamet @yrogaming @windiremanty @suparnoparno @deaawalia @murhadiyanto @masnaaja @farhangantengsetiawan @sukmadewi @dinniafazrin @mirthawati @tikaaprillia @apriliahermawati @kelvintangled @qanitaraihana @yuliantikaradityo @auliaatiani @adityadarmaji @fatmaharis @deslalusi @evirusdiana @susisurayah @srieharyani @abdulfatah @dikoatmoko @rantiaisyah @diazsheryl @ririnrizka @ikoiko @novitagiyantiwijaya @fyrachapilla @alfarisjio @sitisaadahsaadah @intandemek @faadalfatih @muhammaddzaky @syalunarihhadaa @dentyretnosyafaat @alfayrohafizhsuhardhan @khalifpranajaramdani @melyantianti @muhammadsyauqi @auranurfadilah @litasagita @idafarida @dyahrizaldi @heruendryansjah @diahekawidayanti @punyin101 @muhammadimran @srimarti27gmailcom @sahla @bimahjs @muhamadhasybi @nusantosanto @andryboy @gijoe11 @fredyown @atirlala @galla @yogifaisalsadewo @dwanpriantoro @rizkie @giearia @widodoarif @bintanggalasetiawan @yessirahman @dokterps @agushendra @fighterfmfilm @kamunya @muhamadhusen @hafiz2025 @dafikmaulanafazri @thukueffrian @malikfazal @taeilmoon @bujangsenang @vipsiskaeee @dinal @rezaraharja @wulanhandayani @jejenbasoo1234 @julieyules @devaro @smiroh @desiladka @abigaelmwangi @masr @muhammadrizwan @mariasusanti @fauzimasud @vinny126 @muhammadakram999 @fadlypratamakurniawanfadly @sufyan669 @rayhanul123 @hafiz123 @jastinygy @adrian4 @joejoe123
Selamat datang dan Selamat Bergabung untuk warga +62 ... Disinlah tempat anda posting, sharing, dan berkreasi.
Kita sapa dulu rekan-rekan lain dari +62 dan Ucapakan selamat datang untuk yang baru bergabung...
Pahami dan pelajari cara berinteraksi. Silahkan komunikasikan dengan rekan dari +62 jika ada sesuatu yang tidak di mengerti. Kami siap membantu anda. Jangan lupa untuk posting dan buat lah konten semenarik mungkin. Selamat berkarya. https://chat.whatsapp.com/L4LgVns1RLnJrnODHBICPN
Dan ini daftar rekan +62 yang aktif, silahkan berkomunikasi : @gembelzberkarya @acoy @nukeerfiana @siscalicio...
Indonesia Makes Us Feel ALIVE!
Jangan Lupa untuk Subscribe g/indonesia dan g/studio untuk terus dapat melihat postingan-postingan menarik lainnya
yuk, saya sapa warga +62 nya:
@gembelzberkarya @acoy @nukeerfiana @siscalicious @bangizal11 @jullie @sitikhadijah @prastawaaujunior @denysapoetraeday @bobbyalexa @bangbtc @wane18 @lisanovich @nurwahid41 @heruawan @suryaranggakusumah @yogyog g/indonesia g/indonesianewsupdate @jihanarsya @intanfithria @acinygy @parmiati @taufikkurniawan @arifbudiaji @gaungroso @trichasanah @jullie @liongbulan @hangjebat @junaedigrabid @cakrawala @ninaninaanwary @alkahfi @sovja @farhansubagio @edtrzxx @julierian @youdeegx @vio132 @ayikurnia @idharhusin388 @yusufmutiat @muhammadkaliha @fauziramdani @muhammadabdullaharif @jullie @intanfithria @renosaputra @derisamisnauli @91masryan @galihsatriabuana @rizkymaulana @hanifnaufal27 @thalib @mutren @maulyfachrurazi @mohenzo @orangindo @santidwisusanti @anirpratama @azzawawi69 @abdilah @quotes1 @emansueman @abialim @adamasdinara @man3ang3n @adhenlandscape @irawatiirawati @lucasflowers @whisnuireng @erwinrzld @cakilbutovski @dyahrizaldi @maximusaurellius @maryatislamet @yrogaming @windiremanty @suparnoparno @deaawalia @murhadiyanto @masnaaja @farhangantengsetiawan @sukmadewi @dinniafazrin @mirthawati @tikaaprillia @apriliahermawati @kelvintangled @qanitaraihana @yuliantikaradityo @auliaatiani @adityadarmaji @fatmaharis @deslalusi @evirusdiana @susisurayah @srieharyani @abdulfatah @dikoatmoko @rantiaisyah @diazsheryl @ririnrizka @ikoiko @novitagiyantiwijaya @fyrachapilla @herlinaahmad @alfarisjio @sitisaadahsaadah @intandemek @faadalfatih @muhammaddzaky @syalunarihhadaa @dentyretnosyafaat @alfayrohafizhsuhardhan @khalifpranajaramdani @melyantianti @muhammadsyauqi @auranurfadilah @litasagita @idafarida @dyahrizaldi @heruendryansjah @diahekawidayanti @punyin101 @muhammadimran @srimarti27gmailcom @sahla @bimahjs @muhamadhasybi @nusantosanto @gijoe11 @andryboy @gijoe11 @fredyown @atirlala @galla @yogifaisalsadewo @dwanpriantoro @rizkie @giearia @widodoarif @bintanggalasetiawan @yessirahman @dokterps @marfiyanto @agushendra @fighterfmfilm @kamunya @muhamadhusen @muhamadhusen @hafiz2025 @dafikmaulanafazri @thukueffrian @malikfazal @taeilmoon @bujangsenang @vipsiskaeee
Indonesia Makes Us Feel ALIVE!
Jangan Lupa untuk Subscribe g/indonesia dan g/studio untuk terus dapat melihat postingan-postingan menarik lainnya
yuk, saya sapa warga +62 nya:
@gembelzberkarya @acoy @nukeerfiana @siscalicious @bangizal11 @jullie @sitikhadijah @prastawaaujunior @denysapoetraeday @bobbyalexa @bangbtc @wane18 @lisanovich @nurwahid41 @heruawan @suryaranggakusumah @yogyog g/indonesia g/indonesianewsupdate @jihanarsya @intanfithria @acinygy @parmiati @taufikkurniawan @arifbudiaji @gaungroso @trichasanah @jullie @liongbulan @hangjebat @junaedigrabid @cakrawala @ninaninaanwary @alkah...
SELAMAT BERGABUNG UNTUK WARGA +62
selamat bergabung di Tangled Sosial. Pahami dan pelajari cara berinteraksi. Silahkan komunikasikan dengan rekan dari +62 jika ada sesuatu yang tidak di mengerti. Kami siap membantu anda. Jangan lupa untuk posting dan buat lah konten semenarik mungkin. Selamat berkarya. https://chat.whatsapp.com/L4LgVns1RLnJrnODHBICPN . Yuk kita ramaikan Tangled Sosial Media dengan postingan menarik dari +62
Dan ini daftar rekan +62 yang aktif, silahkan berkomunikasi : @gembelzberkarya @acoy @nukeerfiana @siscalicious @bangizal11 @jullie @sitikhadijah @prastawaaujunior @denysapoetraeday @bobbyalexa @bangbtc @wane18 @lisanovich @nurwahid41 @heruawan @suryaranggakusumah @yogyog g/indonesia g/indonesianewsupdate @jihanarsya @intanfithria @acinygy @parmiati @taufikkurniawan @arifbudiaji @gaungroso @trichasanah @jullie @liongbulan @hangjebat @junaedigrabid @cakrawala @ninaninaanwary @alkahfi @sovja @farhansubagio @edtrzxx @julierian @youdeegx @vio132 @ayikurnia @idharhusin388 @yusufmutiat @muhammadkaliha @fauziramdani @muhammadabdullaharif @jullie @intanfithria @renosaputra @derisamisnauli @91masryan @galihsatriabuana @rizkymaulana @hanifnaufal27 @thalib @mutren @maulyfachrurazi @mohenzo @orangindo @santidwisusanti @anirpratama @azzawawi69 @abdilah @quotes1 @emansueman @abialim @adamasdinara @man3ang3n @adhenlandscape @irawatiirawati @lucasflowers @whisnuireng @erwinrzld @cakilbutovski @maryatislamet @yrogaming @windiremanty @suparnoparno @deaawalia @murhadiyanto @masnaaja @farhangantengsetiawan @sukmadewi @dinniafazrin @mirthawati @tikaaprillia @apriliahermawati @kelvintangled @qanitaraihana @yuliantikaradityo @auliaatiani @adityadarmaji @fatmaharis @deslalusi @evirusdiana @susisurayah @srieharyani @abdulfatah @dikoatmoko @rantiaisyah @diazsheryl @ririnrizka @ikoiko @novitagiyantiwijaya @fyrachapilla @alfarisjio @sitisaadahsaadah @intandemek @faadalfatih @muhammaddzaky @syalunarihhadaa @dentyretnosyafaat @alfayrohafizhsuhardhan @khalifpranajaramdani @melyantianti @muhammadsyauqi @auranurfadilah @litasagita @idafarida @dyahrizaldi @heruendryansjah @diahekawidayanti @punyin101 @muhammadimran @srimarti27gmailcom @sahla @bimahjs @muhamadhasybi @nusantosanto @andryboy @gijoe11 @fredyown @atirlala @galla @yogifaisalsadewo @dwanpriantoro @rizkie @giearia @widodoarif @bintanggalasetiawan @yessirahman @dokterps @agushendra @fighterfmfilm @kamunya @muhamadhusen @hafiz2025
SELAMAT BERGABUNG UNTUK WARGA +62
selamat bergabung di Tangled Sosial. Pahami dan pelajari cara berinteraksi. Silahkan komunikasikan dengan rekan dari +62 jika ada sesuatu yang tidak di mengerti. Kami siap membantu anda. Jangan lupa untuk posting dan buat lah konten semenarik mungkin. Selamat berkarya. https://chat.whatsapp.com/L4LgVns1RLnJrnODHBICPN . Yuk kita ramaikan Tangled Sosial Media dengan postingan menarik dari +62
Dan ini daftar rekan +62 yang aktif, silahkan berkomunikasi : @gembelzberkarya @acoy @nukeerfiana @siscalicious @bangizal11 @jullie @sitikhadijah @prastawaaujunior @denysa...
KERIS (INDONESIAN TRADITIONAL WEAPON)
Keris is a stabbing weapon of a cluster of daggers which belongs to one of the typical cultures of the archipelago. Although there are many sources regarding its origin, the majority of history says that the keris originated in Java.
Having a pointed and sharp tip, the shape of the kris is very distinctive and easy to distinguish from sharp weapons in other areas. Keris are not symmetrical in shape because often the blades are winding, and have bright metal-coating fibers on the blade strands.
The famous kris are those that have waves and are winding or jagged. Generally, a kris has three parts, namely the blade (knife), hulu (handle), and warangka (scabbard). Meticulously carved, these kris parts have their own artistic significance.
Denys Lombard, world historian in his book Nusa Jawa: Silang Budaya, writes that the use of kris appeared since the late days of Majapahit.
To quote Tome Pires, "Every Javanese, rich or poor, should have a kris at home, as well as a spear and a shield".
An expert on Javanese literature and Indonesian culture, Zoetmulder, said that the island of Java is thought to have known keris since the 6th or 7th century. Some early forms of kris from that period are still recognizable, but many have yet to be identified.
Although Javanese ancestors were mainly Hindus and Buddhists, evidence that the keris culture originated in India or other countries is still uncertain. There is also no evidence of a direct link between these traditional weapons and the two religions.
Indeed, the prototype of keris has been found in several temples of the archipelago, where in temples in India or other countries, similar forms of keris have never existed.
In Indonesia, keris reliefs can be found in Borobudur Temple in the 8th century, Prambanan Temple in the 9th century, or statues of Javanese men with keris in the baths of Letha Temple in the 15th century.
In general, the shape of the design is also somewhat different from the current design of the kris.
Meanwhile, the form of keris known today has appeared since at least the 10th century, estimated to spread from the island of Java to the rest of Southeast Asia. Some areas of keris distribution such as in Madura, Nusa Tenggara, Sumatra, parts of Sulawesi, to Malaysia, Brunei, Southern Thailand, Southern Philippines, and others.
Keris in each region has its own uniqueness in appearance, function, arable techniques, and terms.
In addition, keris is believed to increase courage and confidence for its owner. This tool can also prevent disease outbreaks, disasters, and plant pests.
Some people also believe that kris can get rid of or ward off the interference of spirits.
Apart from the magical side, there are several other functions of kris for society.
First, the kris in the past was used as a traditional weapon. In the royal era, every soldier carried a kris tucked around the waist. As a staple weapon in war, kris can be found in the stories of Ken Arok, Amangkurat II, and others.
Keris is also often used by heroes such as Imam Bonjol, Hasanudin, Pangeran Diponegoro, and so on.
Second, as an heirloom inherited from the ancestors. This reason makes kris made and stored with great care. Keris is also widely stored in museums or palaces such as Surakarta and Yogyakarta.
Furthermore, the keris also became a symbol or symbol, especially for Javanese residents. These symbols or symbols are paintings, sayings, badges, and others that contain certain meanings. Keris symbols include to express the legitimacy of office or power, status symbols, identity, and philosophy of Javanese society.
Then the kris is also a tool for various activities. For example, puppet performance equipment, village clean ceremony equipment, traditional clothing equipment, and so on.
Finally, the function of kris as an art object. If you pay attention, kris with its warangka is a harmonious unity made with a high level of imagination.
These various functions certainly affect the cultural values and spirituality of people who adhere to certain beliefs.
KERIS (INDONESIAN TRADITIONAL WEAPON)Keris is a stabbing weapon of a cluster of daggers which belongs to one of the typical cultures of the archipelago. Although there are many sources regarding its origin, the majority of history says that the keris originated in Java.
Having a pointed and sharp tip, the shape of the kris is very distinctive and easy to distinguish from sharp weapons in other areas. Keris are not symmetrical in shape because often the blades are winding, and have bright metal-coating fibers on the blade strands.
The famous kris are those that have waves and are winding or ja...
REOG PONOROGO
Reog Ponorogo has been designated as Indonesian Cultural Heritage with number: 201300028 in 2013, while the recording of Reog Ponorogo has been carried out since 2010 then updated in 2022 by the Youth Tourism and Sports Cultural Office of Regency, Ponorogo, East Java
A Brief History of Reog Ponorogo has been the pride of the people of Ponorogo Regency since ancient times until now. Reog Ponorogo is more than 2 centuries old. This can be seen from the manuscript of Kanjeng Gusti Pangeran Adipati Anom Amengkunagara III Ing Surakarta, Pupuh di Serat Centini. However, according to legend, the existence of reog art has existed since the time of the Kediri Kingdom of the XI century. This is related to the story of Prabu Kelanasewandana's proposal procession from Wengker Kingdom to Dewi Sanggalangit from Kediri Kingdom. This legend is considered the oldest historical version of reog. Until now, the story of the legend of Prabu Kelanasewandana is still used as one of the storylines of reog performance art in Ponorogo. This storyline became known as the legendary version of the Bantarangin reog art show.
Reog Ponorogo was initially practiced and developed in Somoroto Village, Ponorogo Regency, East Java Province, then spread to all districts and villages in the Ponorogo Regency area. In addition, reog is also developing and spread in most provinces in Indonesia such as: East Java, Special Capital Region of Jakarta, Lampung, Riau, East Kalimantan, Bengkulu, Jambi, Papua, West Papua, South Sulawesi, Central Java, Special Region of Yogyakarta, West Java, Banten, Bali, Central Kalimantan, West Kalimantan, and West Nusa Tenggara. Reog Ponorogo is also known to develop in several countries such as America, the Netherlands, Korea, Japan, Hong Kong, and Malaysia.
Reog Ponorogo covers the domain of Tradition and Oral Expression; Performing Arts; Social Practices, RItus, and Celebrations; Knowledge and Practice of Alama and the Universe; and Traditional Proficiency.
Description Reog Ponorogo is a communal dance form and is packaged as a ballet performance consisting of mask dancers resembling large tigers decorated with peacock tail feathers (dadak merak) and several other dancers in costumes of kings, warlords, knights, and warriors riding horses. This performance art involves several dancers who have a role in the storyline presented, such as warok dancers, jatil, bujangganong (pujanggaanom), kelanasewandana, and barongan. The dancer who became the icon of the Reog Ponorogo performance is a rider who dances while carrying a peacock chest by biting with his mouth. Dadak merak is the main prop decorated with a head resembling a tiger's head and peacocks with peacock tail feathers as a very beautiful decoration. There are two legends that are often used as storylines in Reog Ponorogo performances, namely the legend of Suryongalam (Ki Ageng Kutu) and the legend of Bantarangin. The reog storyline of the legend of Suryongalam (Ki Ageng Kutu) contains political satire carried out by Demang Suryongalam (Ki Ageng Kutu) from Wengker against the reign of King Brawijaya V who was considered weak because he was too driven by his consort (Putri Campa). As for the storyline of the Bantarangin legend version of Reog, it focuses more on the story of Prabu Kelanasewandana's proposal procession from the Bantarangin kingdom to Princess Sanggalangit from the Kediri Kingdom. Reog Ponorogo music consists of a set of reog musical instruments consisting of kendang, kempul / gong, kethuk-kenong (a type of bonang), slompret, tipung (small kendang), angklung, penembang (pengrawit), and penyenggak.
REOG PONOROGOReog Ponorogo has been designated as Indonesian Cultural Heritage with number: 201300028 in 2013, while the recording of Reog Ponorogo has been carried out since 2010 then updated in 2022 by the Youth Tourism and Sports Cultural Office of Regency, Ponorogo, East Java
A Brief History of Reog Ponorogo has been the pride of the people of Ponorogo Regency since ancient times until now. Reog Ponorogo is more than 2 centuries old. This can be seen from the manuscript of Kanjeng Gusti Pangeran Adipati Anom Amengkunagara III Ing Surakarta, Pupuh di Serat Centini. However, according to le...
KUDA LUMPING (TRADITIONAL INDONESIAN DANCE)
Kuda lumping also called jaran kepang or jathilan is a traditional Javanese dance featuring a group of warriors riding horses. This dance uses horses made of woven bamboo and cut to resemble the shape of a horse. The matting of this horse is decorated with multicolored paints and fabrics. The lumping horse dance usually only features scenes of hussars, but some lumping horse performances also present attractions of trance, immunity, and magical powers, such as the attraction of eating shard and immunity to skipping. Jaran Kepang is part of the reog dance performance. Although this dance originated in Java, Indonesia, it was also inherited by the Javanese who settled in North Sumatra and in some areas outside Indonesia such as in Malaysia.
It is said that the lumping horse dance is a form of appreciation and support of the common people for Prince Diponegoro's cavalry in facing the Dutch colonizers. There is also a version that says, that the lumping horse dance depicts the story of the struggle of Raden Patah, who was assisted by Sunan Kalijaga, against the Dutch colonialists. Another version states that, this dance tells the story of the war games of the Mataram troops led by Sultan Hamengku Buwono I, King of Mataram, to face the Dutch troops.
Regardless of its origin and historical value, the lumping horse dance reflects the spirit of heroism and military aspects of a cavalry or cavalry. This can be seen from the rhythmic, dynamic, and aggressive movements, through the flick of woven bamboo, imitating the movement like a horse in the middle of battle.
Often in lumping horse dance performances, also featuring attractions that display magical supernatural powers, such as the attraction of chewing glass, slashing arms with machetes, burning yourself, walking on broken glass, and others. Perhaps, this attraction reflects the supernatural forces that in ancient times developed in the Javanese Kingdom, and were a non-military aspect used against Dutch troops.
In East Java, this art is familiar to people in several regions, such as Malang, Nganjuk, Tulungagung, and other areas. This dance is usually performed on certain occasions, such as welcoming guests of honor, and as a thanksgiving, for the wishes granted by the Almighty.
In its performance, there is no need for a special choreography, as well as gamelan equipment equipment like Karawitan. Gamelan to accompany the lumping horse dance is quite simple, consisting only of Kendang, Kenong, Gong, and Slompret, which is a flute with a shrill sound. The poems performed to accompany the dance usually contain an appeal for humans to always do good deeds and always remember the Creator.
In addition to containing entertainment and religious elements, the traditional art of kuda lumping often also contains ritual elements. Because before the show starts, usually a rain charmer will perform a ritual, to keep the weather sunny considering the show is usually done in an open field.
KUDA LUMPING (TRADITIONAL INDONESIAN DANCE)
Kuda lumping also called jaran kepang or jathilan is a traditional Javanese dance featuring a group of warriors riding horses. This dance uses horses made of woven bamboo and cut to resemble the shape of a horse. The matting of this horse is decorated with multicolored paints and fabrics. The lumping horse dance usually only features scenes of hussars, but some lumping horse performances also present attractions of trance, immunity, and magical powers, such as the attraction of eating shard and immunity to skipping. Jaran Kepang is part of the reog...
SUKU BADUY (BADUY TRIBE)
The Baduy tribe is one of the tribes originating from Banten. The Baduy tribe is known as a tribe that resists modernization and strongly preserves the heritage of their ancestors and the land of their ancestors.
The existence and area where the Baduy tribe lives was inaugurated by the government as the Kendeng Mountain Cultural Heritage area, Banten Province.
The Baduy tribe believes that they are descendants of Batara Cikal, one of the seven gods sent to Earth,
The origins of the Baduy tribe are also often attributed to the Prophet Adam as their first ancestor. They believe that the Prophet Adam and the people of Baduy had a duty of asceticism or mandita which aimed to maintain the harmony of the world.
The history of the Baduy tribe cannot be separated from the existence of the Pajajaran Kingdom. In the 11th and 12th centuries, the Kingdom of Pajajaran controlled the areas of Banten, Bogor, Priangan, to Cirebon. At that time, the ruling ruler was King Prabu Bramaiya Maisatandraman or Prabu Siliwangi.
Then, in the 15th century, Islam was brought by merchants from Gujarat and Sunan Gunung Jati, one of the Wali Songo from Cirebon. The Kingdom of Pajajaran was declining because many of its people later adopted Islam.
Unique Facts of Baduy Tribe
-The Baduy tribe still maintains its cultural purity by establishing a sacred area called "Land of Kanekes".
-The Baduy Dalam people also call themselves Kajeroan people. Meanwhile, people living outside the land of Kanekes are referred to as Baduy Luar people or Orang Penamping.
-The Baduy tribe has a tradition of Seba (offering) ceremonies that bring panggede such as the Banten regional government. This event has been held since the heyday of the Banten Sultanate
-Baduy people like to walk
-The equipment of the Baduy tribe is still simple and natural
The wealth of the Baduy tribe is not determined by the shape of the house they own
SUKU BADUY (BADUY TRIBE) The Baduy tribe is one of the tribes originating from Banten. The Baduy tribe is known as a tribe that resists modernization and strongly preserves the heritage of their ancestors and the land of their ancestors.
The existence and area where the Baduy tribe lives was inaugurated by the government as the Kendeng Mountain Cultural Heritage area, Banten Province.
The Baduy tribe believes that they are descendants of Batara Cikal, one of the seven gods sent to Earth,
The origins of the Baduy tribe are also often attributed to the Prophet Adam as their first ancestor. TheyU...
ANGKLUNG (INDONESIAN TRADITIONAL MUSICAL INSTRUMENT)
Angklung is a traditional musical instrument from West Java. How to play it is relatively easy, just shake it to produce sound.
Of several original Indonesian musical instruments, angklung is listed as a Masterpiece of Oral and Intangible Heritage of Humanity from UNESCO since November 2010
Angklung is a musical instrument made from an arrangement of several bamboo sticks. In the history of the Sunda Kingdom (12th-16th centuries), angklung was played to worship Nyai Sri Pohaci as a symbol of Dewi Sri (rice goddess). Dr. Groneman said, angklung already existed in the archipelago before the Hindu era. This instrument is created to resemble a calung musical instrument with bamboo that differs in size according to the height of the lace tone.
Another version says angklung was discovered in the 7th century in the Western Jawab region by a farmer who was playing in his garden. When he heard the bamboo moving in the wind, the farmer tried to create a sound similar to that of different bamboos.
Angklung also began to be known in the 19th century through the hands of an artist. He used this instrument for theater and puppet performances.
As time went by, angklung was finally known by the world. A group of Indonesian artists led by Daeng Soetigna took angklung abroad and performed in Paris in 1938. At that time, Indonesia was still colonized by the Dutch
Types of Angklung
Angklung DogDog Lojor
Angklung Kanekes
Angklung Gubrag
Angklung Padaeng
ANGKLUNG (INDONESIAN TRADITIONAL MUSICAL INSTRUMENT)
Angklung is a traditional musical instrument from West Java. How to play it is relatively easy, just shake it to produce sound.
Of several original Indonesian musical instruments, angklung is listed as a Masterpiece of Oral and Intangible Heritage of Humanity from UNESCO since November 2010
Angklung is a musical instrument made from an arrangement of several bamboo sticks. In the history of the Sunda Kingdom (12th-16th centuries), angklung was played to worship Nyai Sri Pohaci as a symbol of Dewi Sri (rice goddess). Dr. Groneman said, angT...
NYAWER (SUNDANESE TRADITION)
For some Sundanese people, it is incomplete if the wedding reception is without the sawer penganten ceremony. Without being commanded anymore, children and even adults immediately gathered in front of the bride and groom to follow and pick up coins and paper which were sawered by the bride's parents and relatives and guided by the sawer.
Even some people believe, these saweran objects can make people who get them lightly mate and cheap sustenance.
Nyawer or saweran is a culture of sprinkling some small objects done by the parents of the bride and groom. It is said that sprinkling these objects can give instructions to the bride and groom so that they can live a happy home life and do not forget to always give alms to people in need.
Nyawer comes from the word 'awer' which is likened to a bucket of liquid objects that can be splashed or scattered. But there is another opinion written in the book Bagbagan Poetry Sawer Sunda which explains that nyawer comes from the word 'wean', which is a place that is often exposed to rainwater falling from tiles.
Well, from this understanding it can be concluded that the place intended to hold nyawer is in the yard of the house. Meanwhile, water splashes are the objects of the sawernya.
NYAWER (SUNDANESE TRADITION)For some Sundanese people, it is incomplete if the wedding reception is without the sawer penganten ceremony. Without being commanded anymore, children and even adults immediately gathered in front of the bride and groom to follow and pick up coins and paper which were sawered by the bride's parents and relatives and guided by the sawer.
Even some people believe, these saweran objects can make people who get them lightly mate and cheap sustenance.
Nyawer or saweran is a culture of sprinkling some small objects done by the parents of the bride and groom. It is#s...
OPENING CEREMONY PERFORMANCE - THIS IS INDONESIA
OPENING CEREMONY PERFORMANCE - THIS IS INDONESIA
WONDERLAND INDONESIA 2 - The Sacred Nusantara (Alffy Rev) - Dance Video By Stela Project
WONDERLAND INDONESIA 2 - The Sacred Nusantara (Alffy Rev) - Dance Video By Stela Project
Wonderland Indonesia 2 - The Sacred Nusantara (Chapter 2)
Wonderland Indonesia 2 - The Sacred Nusantara (Chapter 2)
“Wonderland Indonesia” by Alffy Rev ft. Novia Bachmid
this is about "Papua"
“Wonderland Indonesia” by Alffy Rev ft. Novia Bachmid
this is about "Papua"
The Musical Journey of WONDERLAND INDONESIA by Alffy Rev
The Musical Journey of WONDERLAND INDONESIA by Alffy Rev
Traveling through the land of "volcanoes"
Traveling through the land of "volcanoes"
Indonesia is a country blessed with countless wonders. What makes this country unique is its diverse culture and magnificent nature, which should be celebrated and preserved by everyone. Therefore, The Ministry of Tourism and Creative Economy of the Republic of Indonesia presents Wonderful Indonesia, a promise to make Indonesia a place where everyone can enjoy its natural and cultural wonders.
Wonderful Indonesia is our commitment to promote various destinations in the archipelago for domestic and international tourism. Based on what tourists seek to explore and experience, the wonders of Indonesia have been divided into five categories: Nature, Culinary & Wellness, Arts & Heritage, Recreation & Leisure, and Adventure. There are many platforms, both online (social media, news outlet, and official website) and offline (brand & institution partnerships, travel promotions, etc.), that are being utilized for Wonderful Indonesia’s campaigns.
Wonderful Indonesia welcomes all brands, institutions, and tourism stakeholders to establish partnerships and help spread the word about the abundance of wonders in Indonesia.
Indonesia is a country blessed with countless wonders. What makes this country unique is its diverse culture and magnificent nature, which should be celebrated and preserved by everyone. Therefore, The Ministry of Tourism and Creative Economy of the Republic of Indonesia presents Wonderful Indonesia, a promise to make Indonesia a place where everyone can enjoy its natural and cultural wonders.
Wonderful Indonesia is our commitment to promote various destinations in the archipelago for domestic and international tourism. Based on what tourists seek to explore and experience, the wonders of Indo...
DEBUS SUNDA BANTEN (DO NOT IMITATE THIS SCENE DANGEROUS!!!)
The general public usually knows debus as a creepy and sadistic attraction. This is because the players slashed themselves with machetes, chewed shards of glass or glass, even plunged into fireballs but there were no slight injuries on their body parts. Debus is a traditional art found in Banten Province that displays the attractions of human immunity from various kinds of sharp objects. The word debus comes from Arabic which means 'Sharp Weapon'. In debus attractions not only display about immunity, but also there are dance arts and sounds and magical nuances. But it turns out that this debus is a medium used by local scholars to spread Islam in ancient times
Not everyone can do this, of course, to be able to master debus, one must have commitment and an istiqomah attitude in practicing.
Things to Do so that Debus Players Don't Get Hurt
When during the attraction of slashing the body using sharp weapons or stabbing sharp weapons in the area of the neck, abdomen, hands, arms and thighs a person who performs debus will cast spells so that his body is immune from sharp weapons. One example of the mantra is "Haram you touch my skin, haram you drink my blood, haram you eat my flesh, veins, wesi bones, steel skin, I come out of the mother's womb."
In the belly stabbing attraction like a player holding dust, then the pointed tip is attached to the other player's stomach. After that another player holds a wooden bat called a mace and hits the base of the debus many times, if a debus player has an "accident" or is injured on his attraction, then a sheikh will heal by rubbing the injured body part accompanied by chanting a mantra, then the wound will heal in an instant.
In the attraction game of eating glass or shard, the players will say the phrase "la ilaha illahu." then what will be spit out instead of glass shards but dozens of live bats.
DEBUS SUNDA BANTEN (DO NOT IMITATE THIS SCENE DANGEROUS!!!)
The general public usually knows debus as a creepy and sadistic attraction. This is because the players slashed themselves with machetes, chewed shards of glass or glass, even plunged into fireballs but there were no slight injuries on their body parts. Debus is a traditional art found in Banten Province that displays the attractions of human immunity from various kinds of sharp objects. The word debus comes from Arabic which means 'Sharp Weapon'. In debus attractions not only display about immunity, but also there are dance...
LENGSER SUNDA
Lengser is one of the ceremonial traditions in West Java. This tradition is often used at weddings. Until now it is still preserved and studied, especially for the Sundanese people. Because this is the nation's cultural asset.
What is the traditional ceremony of lengser sunda?
This traditional ceremony is a tradition enlivened by the actions of a Sundanese figure named Aki Lengser. Many events were enlivened by Aksi Lengser, one of which was in welcoming the bride and groom at the wedding.
Various kinds of traditional ceremonies attended by Aki Lengser are full of cultural attractions. One of them is peacock dance or similar dance. In addition, the audience can see various arts typical of the Sundanese region such as karawitan, bodoran, comedy and others.
THE ORIGIN OF LENGSER SUNDA
Lengser which means to promote familiarity and closeness that blends with the life of small people. His name is very legendary in the tradition of Sundanese society, now it is difficult to find Sundanese people who do not know the name of the figure. This Ki Lengser character has funny, innocent, and unique characteristics, but also has unpredictable intelligence, which is often described as a versatile character. Lengser is the "Embodiment" and "Representative" of the Prabu or King who descends to meet and unite with his people. The position of Ki Lengser is very high, being above Patih under the King, Ki Lengser has the duty of Advisor, Companion to the King. With the passage of time that is increasingly modern, what can distinguish Ki Lengser during the Kingdom and Ki Lengser today, "is very different, but there is one similarity between Ki Lengser in the Kingdom era and Ki Lengser today, namely as a Companion. If Lengser during the Pajajaran Kingdom used to be a companion of the Prabu, but nowadays Ki Lengser serves as a companion of "Mapag Panganten", one of the ceremonial arts or often referred to as welcoming the bride.
The presence of Ki Lengser attracted the attention of the audience or invited guests. Ki Lengser is the one who directs the traditional ceremony. When the bride and groom come to the reception place, it will be Lengser who will welcome and direct them to the aisle chairs accompanied by dancers and pennant-bearers. Ki Lengser is usually played by a man. As for the woman who acts as the male companion of Lengser. Ki Lengser acts as an advisor in marriage, so Ki Lengser is more often played by grandfathers. The clothes worn by Ki Lengser were only enough to wear camp clothes, pangsi pants, and equipment with a sarong that was draped, and totopong (headband). And with her toothless teeth and funny dance moves, her presence can always make the audience laugh. Usually this mapag panganten ceremony does not last long, because it is only to welcome the arrival of the bride and groom and deliver them to the aisle chair. The presence of Ki Lengser is highly anticipated and makes many people amazed by his funny behavior.
LENGSER SUNDA
Lengser is one of the ceremonial traditions in West Java. This tradition is often used at weddings. Until now it is still preserved and studied, especially for the Sundanese people. Because this is the nation's cultural asset.
What is the traditional ceremony of lengser sunda?This traditional ceremony is a tradition enlivened by the actions of a Sundanese figure named Aki Lengser. Many events were enlivened by Aksi Lengser, one of which was in welcoming the bride and groom at the wedding.
Various kinds of traditional ceremonies attended by Aki Lengser are full of culturalTH...
SISINGAAN ATAU ODONG-ODONG (KESENIAN SUNDA)
Sisingaan comes from Subang, West Java.
Sisingaan is also called Gotong Singa or Odong-odong. Sisingaan is an art played by the people of Subang when fighting invaders. This art is a symbol of harassment against the invaders that the people of Subang were not afraid to fight the invaders at that time. Currently, Sisingaan is displayed for special occasions, such as receiving guests of honor, circumcision of children, and holiday events.
Subang is a West Java area rich in natural resources. One of the famous companies in the colonial period was
Pamanoekan en Tjiasemlanden (P&T Land).
Subang began to be introduced to their national emblem, namely the crown or royal crown. At the same time, Subang was also controlled by the British who also introduced the national emblem in the form of a lion.
So at that time, Subang was administratively controlled by two parties, the Dutch controlled politics and the British controlled the economy.
This made the people of Subang politically, economically, socially, and culturally depressed, giving rise to resistance against the Dutch and British colonizers.
SISINGAAN ATAU ODONG-ODONG (KESENIAN SUNDA)Sisingaan comes from Subang, West Java.
Sisingaan is also called Gotong Singa or Odong-odong. Sisingaan is an art played by the people of Subang when fighting invaders. This art is a symbol of harassment against the invaders that the people of Subang were not afraid to fight the invaders at that time. Currently, Sisingaan is displayed for special occasions, such as receiving guests of honor, circumcision of children, and holiday events.
Subang is a West Java area rich in natural resources. One of the famous companies in the colonial period was