I’ve been thinking a lot about how both deal with the themes of memory and forgetting. Georgi Gospodinov’s Time Shelter and Westworld both probe memory as a double-edged force — offering intimacy and identity, but also becoming a way to manipulate, seduce people.
In Time Shelter, >!the conceit of clinics that recreate past decades—initially for Alzheimer’s patients but eventually for healthy people nostalgic for “simpler times”—!<forces us to ask:
1.Is remembering selectively an act of relief or of denial? 2.What happens when personal memory shades into collective memory (e.g., when whole nations vote to “return” to one era or another)?
Similarly, Westworld places memory at the center of >!its AI hosts’ search for freedom. Their programmed forgetfulness keeps them trapped in cycles; their gradual awakening depends on remembering past traumas, patterns, betrayals. For the humans, too, the park is a theater of nostalgia—a place to escape into a mythic “Old West,” stripping away the complexities of modern life.!<
Perhaps that’s why they feel twinned: they dramatize the fact that identity—personal, cultural, political—is always shaped by what we remember and what we repress #entertainment