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Pedro & Pablo Symbolism in 'Chronicle of a Death Foretold'
I’m currently reading Gabriel García Márquez’s '*Chronicle of a Death Foretold'* and I noticed something that I’m curious about. The twin brothers who kill Santiago Nasar are named Pedro and Pablo Vicario (essentially Peter and Paul, like the two apostles).
Do you think Márquez chose these names intentionally to echo the biblical Peter and Paul, or is it just a coincidence given how common those names are in Spanish?
Below are some kind of symbolisms I see in it:
* Apostles as “founders” of the church vs. the brothers as “agents” of social/religious honor codes.
* The idea of violence being sanctified or legitimized by religion and tradition.
* Two inseparable figures carrying out a “sacred duty” that no one could challenge or stop.
But at the same time, I can’t find any direct statement from Márquez confirming this till now (almost in the middle of my reading).
Has anyone come across scholarly commentary on this specific point, or do you see it more as a literary coincidence that critics (and readers like me) project meaning onto?
Would love to hear your thoughts!
#entertainment
source
I’m currently reading Gabriel García Márquez’s '*Chronicle of a Death Foretold'* and I noticed something that I’m curious about. The twin brothers who kill Santiago Nasar are named Pedro and Pablo Vicario (essentially Peter and Paul, like the two apostles).
Do you think Márquez chose these names intentionally to echo the biblical Peter and Paul, or is it just a coincidence given how common those names are in Spanish?
Below are some kind of symbolisms I see in it:
* Apostles as “founders” of the church vs. the brothers as “agents” of social/religious honor codes.
* The idea of violence being sanctified or legitimized by religion and tradition.
* Two inseparable figures carrying out a “sacred duty” that no one could challenge or stop.
But at the same time, I can’t find any direct statement from Márquez confirming this till now (almost in the middle of my reading).
Has anyone come across scholarly commentary on this specific point, or do you see it more as a literary coincidence that critics (and readers like me) project meaning onto?
Would love to hear your thoughts!
#entertainment
source
8
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