Starship Troopers: the anti-fascist critique that critics called fascist
Verhoeven's 1997 film functions almost as a philosophical QED -- a practical demonstration of Walter Benjamin's "aestheticisation of politics," Foucault's production of subjects through institutional discipline, and Arendt's banality of evil. The central argument: fascism recruits through pleasure and belonging before it ever needs to coerce — and the film's critical failure on release is evidence of its own thesis. #science