What happened in Lisbon is heartbreaking. That damned funicular... and your song says it all. 💔 You already know how much I love the female voices in your music, but here you added the saxophone ,another instrument I absolutely adore. I really loved it, Sandra!
I’m so glad you felt that connection 💔. You know how much I love working with those deep, smoky, raspy female vocals—they carry a kind of truth you can’t fake. The saxophone was a rediscovery for me, first reappearing in Quiet Signal II , and I knew I had to bring it into this song. It’s not just an instrument here—it’s a second voice, breathing in and out with the lead, wrapping itself around her phrases like a memory you can’t let go. Knowing you heard and felt that means the world to me.
Absolutely, some moments and images are unforgettable. That final dance in red shoes sounds so poignant, like a memory that stays alive in our hearts long after the music fades. 🥰❤️🤩
Thank you so much for your beautiful words ❤️. This piece was created as a tribute to the 16 souls lost in the Lisbon tram tragedy. One image in particular stayed with me—a faceless lady in a beige dress and red babydoll shoes. I believed she was among the critically injured, but later learned shewas one of the deceased. That realization hit me like a wave, and the image imprinted itself so deeply that I experienced viewer’s post-traumatic stress last Friday night. This song is my way of honoring her and all those lives—an echo of the final dance that never got to finish. Your comment means more than you know 🕊️🎶